Mind & Machine - volume 2
MIND & MACHINE VOL. 2 is the second electro-acoustic compilation to be released. Each of the seven composers featured on MIND & MACHINE VOL. 2 offers his or her own striking exploration into the means by which technology can be used to alter time and form to create entirely new musical experiences. This diverse assortment of composers have all taken different paths to reach that goal. The sounds of nature are manipulated or integrated into pieces such as Tom Prescott’s The Singing Forest and Jennifer Bernard Merkowitz’s Les Crapauds de la Fontaine, while Joshua Tomlinson’s Convergences utilizes the natural elements of metal and wood. Julius Bucsis takes as his source material the work of renowned composer Igor Stravinksy for Some Writings of Spring, using Schenkerian analysis and various audio processing techniques to reinvent The Rite of Spring. Cory Fant deliberately worked outside of the studio to create the sounds in his Vox Ballet without using synthesizers, while Lou Bunk’s Cut and Joshua Harris’ a tiny fleck of blue crying light into the void both each use pianos – albeit very dissimilar ones – in their individual manipulations of time and space. If there is one common trait that the works on MIND & MACHINE VOL.2 share, it is their ability to capture the immediacy of sonic experience and, regardless of context, to subtly create an entirely new musical narrative, again reinforcing the limitless possibilities inherent in the realm of electro-acoustic music.